EXPOSITION
THIs psalm is a repetition of Psalms 45:1-17; with certain not very important variations. The most remarkable is the substitution throughout of" Elohim" for "Jehovah." The only variations which alter the sense are in Psalms 45:5. These cannot be accounted for by corruption, and seem to indicate a retouching of the original composition in order to adapt it to a special occasion.
The expression, "upon Mahalath," or, "set to Mahalath," in the title, is thought to be a musical direction, and is explained by Dr. Kay as equivalent to the modern Maestoso.
are identical with the same verses of Psalms 14:1-7; with the single exception that "Jehovah "is replaced by" Elohim," as the first word of Psalms 14:2.