The king came in to see the guests, who by this time had taken their appointed places at table. This second portion of the parable teaches that admission to the visible Church is not all that is required; there is also a scrutiny to be undergone and an award to be made. And that this investigation is keen and searching is denoted by the verb used, θεα ìσασθαι, which means not merely, to see casually, but to gaze upon with the intent of seeing the real nature and character of an object. The king makes his appearance in the banqueting hall, not to feast with the guests, but to welcome them, and to examine if they are properly ordered, served, and fitted for the high honour accorded to them. How close and personal is this inquiry is shown by the immediate detection of one unseemly guest among the multitude. The time when he thus comes is, in one view, the day of judgment; but such visitation and scrutiny are always recurring, as at solemn seasons, in days of trial, sacred services, holy communion, when he searches men's hearts, and sees if they are prepared for his presence. Which had not on a wedding garment; οὐκ ἐνδεδυμε ìνον ἐ ìνδυμα γα ìμου: not garbed in wedding garment, the genitive expressing the peculiar character or quality of the garment. Wordsworth compares similar phrases: Luke 16:9; 2 Thessalonians 2:3, 2 Thessalonians 2:9; James 1:25; 2 Peter 2:1, etc. It is said to have been an Oriental custom to present each guest invited to a royal feast with a festive robe to be worn on the occasion, as nowadays persons admitted to the royal presence are clothed with a caftan. Traces of the custom have been found in Genesis 45:22; 14:12; 2 Kings 5:22; 2 Kings 10:22; but they are not very convincing. The Romans seem to have had such a custom, the robes being called "cenatoria." Thus Martial, 10:87, 11, writes—
"Pugnorum reus ebriaeque noctis,
Cenatoria mittat advocato."
But the fact remains that this guest had not presented himself in attire befitting the solemnity; in his everyday garb, and with no proper preparation, he had dared to come to this great festival. What is the spiritual meaning of the wedding garment is much disputed. It is evidently some virtue, or quality, or mark which conditions admission to the enjoyment of the kingdom of God. On the one hand, it is said that both bad and good guests wear it, and its possession does not alter the character of the wearer. Dress is something external and visible, therefore the garment cannot represent an inward grace or feeling, but some outward token by which Christians are distinguished, such as open reception of baptism and sacraments, and public profession of the faith. On the other hand, it is contended that the whole matter is spiritual, though veiled in material forms, and is concerned with man's moral and spiritual nature. Hence it by no means follows that the wedding garment is not intended to have a spiritual signification. Ancient commentators universally look upon it in this light. Some regard it as an emblem of faith in Christ; others, of faith and love combined. "Habete fidem cum dilectione," writes St. Augustine, 'Serm.,' 90., "ista est vestis nuptialis." But it must be observed that faith of some sort was shown by accepting the invitation; so this could not be represented by the special garb which was absent. Others, again, see in it good works, or humility, or the purity effected by the grace of the Holy Spirit. Some moderns take it of "imputed," others of imparted, righteousness, bringing their controversies into the King's presence. chamber. The English Church, taking the marriage feast as a figure of the Holy Communion, applies the wedding garment to that cleansing of the conscience which enables persons to come holy and clean to that heavenly feast (see the first Exhortation to Holy Communion). This is legitimate, but too restricted in its reference. The feast denotes the present and future kingdom of God; the entrance to this is a matter of free grace; the garment is moral fitness, the life and conduct dependent on the due use of God's grace. This is in the power of all who have received the call; they have to act up to the high calling, to be wholly, heartily, really what they profess to be. The scrutiny, whether made in this life or in the life to come, shows how grace has been used, if we have put on Christ, if we have kept our soul pure and white, unsullied by sin, or washed clean by penitential tears and the blood of Christ (see Revelation 19:8). The metaphor concerning this robe of righteousness is found in Isaiah 61:10, "He hath clothed me with the garments of salvation, he hath covered me with the robe of righteousness, as a bridegroom decketh himself with a garland, and as a bride adorneth herself with her jewels." Commentators compare (but with doubtful appositeness) Zephaniah 1:7, Zephaniah 1:8.