Bible Commentary

Revelation 15:1-8

The Pulpit Commentary on Revelation 15:1-8

The Pulpit Commentary · Joseph S. Exell and contributors · Public domain

"The wrath of God."

Such is the subject of this and the following chapters.

I. WHAT IS IT? "The wrath of God" is simply that will of God which forever has linked together sin and suffering; that will by which woe follows wickedness everywhere and always. It is calm, not passionate; inexorable, not capricious; ever just, as man's wrath too often is not; and never selfish, is ours too often is.

II. IS TERRIBLE TO EVIL DOERS. See the several symbols of it as they are given one by one in the account of the outpouring of the seven vials. And, separate from all symbol, see how everywhere and always and evermore, suffering, like a sleuth hound, tracks the steps of sin, and sooner or later fastens its fangs in the sinful man or sinful people. So sure is this, that that shrewd, wise, observant man who wrote the Book of Proverbs declared it as the testimony of all experience that they are "fools" who "make a mock at sin."

III. WILL HAVE AN END. Not that the will of God, without which he could neither be the God of holiness nor the God of love; that ordains the everlasting union of sin with suffering—not that that will can ever end or change, but that, the purpose of his will being accomplished by the extirpation of sin, there shall no longer be occasion for suffering. Hence we say the wrath of God will have an end. And accordingly these very plagues are called "the seven last plagues." It would be dreadful to think that the moral condition of men should ever be as it is, and has been during all the past. But it will not. The day will dawn when there will no longer be need for any more plagues, and when the last of them, they all having done their work, shall pass away forevermore (verse 1).

IV. IS CONSENTED TO BY ALL THE COMPANY OF HEAVEN. The saints, they celebrate its manifestation by their song. The living ones (verse 7) consign to the charge of the seven angels the seven vials of the wrath of God. Angels, who come forth from the inmost shrine of the temple of God, and are vested as his priests, undertake this awful work; the holy, the blessed, the glorified, the redeemed, those saved by the mercy of God, all alike consent. It is a fearful, but a most solemn and salutary fact, to remember that there will not be found a solitary individual amongst the holy and the good who will intercede against or do aught but consent to God's judgments against sin. Even he who is the Lamb of God, the Friend and Saviour of sinners, consents; yea, more than this, for it is his song that his saints sing in celebration of these judgments of God. Left utterly alone with his sin—without one friend—will he be who now refuses to give up his sin and submit to Christ.

V. EVIDENCES THE HOLINESS OF GOD. (Verses 3, 4.) The conviction constrains the confession, "Thou only art holy; Righteous and true are thy ways"—so sing they who sing the song of Moses and of the Lamb. What worth is any government, what worth especially would be the government of God, if it were as the sceptic cynic in Ecclesiastes says it is, that "there is one end to the righteous and to the wicked"? There would be no need of a hell by and by, for earth would be hell already. Blessed forever be his Name, who makes "the way of transgressors hard."

VI. WILL BE FOLLOWED BY THE COMING "OF ALL NATIONS TO WORSHIP BEFORE" GOD. (Verse 4.) This most precious truth explains the song that the saints sing. How could they sing if sin and suffering were to go on forever; if evil were to be eternal, or if the woes of the world meant the destruction of the world? But knowing and seeing clearly, as they do, how all these judgments of God conduce to the glory of God; and that as the cloud of his majesty filled the temple (verse 8), so shall that glory fill all the earth; therefore they can, not merely with calmness, but with joy, contemplate the pouring out of the vials, even of the wrath of God. But for the faith of this how could thoughtful men endure to live?

VII. WARNS US TO FLEE FROM THE WICKEDNESS THAT AROUSES IT TO THE LOUD JESUS CHRIST. For he it is in whom we are sheltered from the wrath due to sin of the past, and from the power of sin present and future.—S.C.

The prelude of the plagues—the beginning of the end.

It seemed as if all was ended with the harvest and the vintage, of which we are told in the close of the previous chapter. What can come after the ingathering of the saints and the final judgment? And, indeed, nothing can. But what is here given in the chapters that follow is the more detailed setting forth of the Divine judgments upon the Church's three great enemies—the dragon and the two beasts; or, in other words, the dragon, the beast, and the false prophet. The overthrow of Satan is, however, related last of all. Ere the Divine judgments on these enemies of the people of God begin, we have the song of the redeemed—the song, as it is termed, "of Moses the servant of God and of the Lamb." An objection may be felt by some that the saints of God should be represented, as they are here, as exulting over the awful woes which had come upon their enemies. Is such triumph over a fallen foe in harmony with the Spirit of Christ, and with the perfectly sanctified nature of the inhabitants of heaven? In reply, we may say that what is right anywhere is right everywhere; and if it were right for Israel to exult over the dead Egyptians and the utter destruction of Pharaoh and his hosts—as surely it was—then like exultation over far worse foes cannot be wrong. We are scarcely able to comprehend either Israel's or St. John's condition of mind. We have so long dwelt at ease, in the enjoyment of full liberty, none daring to make us afraid, that the intense feeling aroused by hideous murder, bloody cruelty, monstrous injustice, and relentless oppression, threatening, not one or two, but a whole people, and enacted under our own eyes, and felt in our own persons—what all this would arouse in men's minds we do not know, and can scarce imagine. One present amid the Sepoy massacres in the Indian Mutiny tells with what fresh understanding he and his fellow worshippers listened in church to the lessons which fell then to be read out of the Book of Joshua. Burning indignation against wrong can never be wrong. It was in Christ, and should be in us. Exultation, therefore, over its downfall is not only natural, but right. The coupling together of the song of Moses and of the Lamb teaches that in the first we are to find the pattern of the second. Note, therefore—

I. THE SCENE. Our thoughts are sent back to the thrilling story of Israel in Egypt. The pouring out of the vials is called by the same name—"plagues"—as were God's judgments in Egypt. And the scene of this song alludes plainly to Israel at the Red Sea. We are standing before a sea of glass, as we read in . But that sea now seems "mingled with fire." On its margin stand the throngs of the redeemed. That sea so lustrous, so still, so smooth, so firm, like as the Red Sea seemed in comparison with the fearful storm of the night of the Exodus. But it had been a sea of judgment to their foes. In its depths lay horse and rider, chariot and horseman, Pharaoh and his army. Fitly did the fire, mingled with this sea of glass, tell of that. And the rejoicing Israelites were the type of which the redeemed Church of Christ, safe in glory, is the antitype. This scene is another reminder, out of many more, that in the story of Israel may be read, in symbol, the story of the Christian Church. The comfort, the counsel, and the warning—for all are there—of the one are for the other also.

II. THE SONG.

1. It is a song, not a speech. Sung, not said. Music, the vehicle of song, is the language of thoughts that lie too deep for words. Words are not adequate to tell of the heart's feelings. The flush of shame; the flash of the angry eye—as his, whose "eyes were as a flame of fire;" the tears of sorrow; the sigh of distress. More than words is wanted, and music is one of the many means, more expressive far than words, whereby the deeper feelings and thoughts of the heart are uttered. Music is especially animated with joy, and the fact that the heavenly company "sing." tells of their "joy of heart."

2. It is a song wherein all the glory is given to God. Moses does not say one word of himself, but bids the people "sing unto the Lord." So was it, so will it be.

3. It lingers on the terribleness of their enemies. It tells of their proud boast, their cruel intent, their formidable power. Thus the "wrath of man" praised God. And in the future review, when we think of our adversaries, the seemingly insuperable difficulties—these will be, as the like were, part of our song.

4. It tells of the enemies' complete overthrow.

5. The future consequences of this victory. Moses celebrates that. How "the dukes of Edom, the people of Palestina," will be moved with fear. And so in the song of the Lamb, "Who shall not fear," etc.? (). The redeemed distinctly contemplate further triumphs for the Lord over those as yet not yielded to him. The "firstfruits," "the Church of the Firstborn," "the elect of God"—and it is these, and their glorious salvation, which is portrayed here—are, as their prototypes were, for the blessing of others, many others; "all the nations of the earth" are to be blessed in Christ and in his seed. And the elect are to be the instruments. And the mighty lever that shall overturn the mass of error and sin shall be God's marvellous mercy to them. Oh to be numbered amongst "the sacramental host of God's elect"! For they are—

III. THE SINGERS OF THIS SONG. They were and are such as:

1. Once were bond- men.

2. Had been in sore peril of being re-enslaved.

3. Their preservation due to the fact that they had been "kept by the power of God." It was his restraining hand had held back the waves, that but for this would have overwhelmed them.

4. They are a "blood-besprinkled band." On the lintel and doorposts of every house of Israel the blood of the Paschal lamb had been sprinkled, and so had they and theirs been saved alive. Never were they to think that it was for their own worthiness they were saved. To crush such thought the Passover sacrifice was ordained. And the singers of this song owe their all to the fact that for them Christ's blood was shed. In virtue of that they are what and where they are. Do any ask—How is this? We answer -

"I cannot tell the woe

Which thou wast pleased to bear,

O Lamb of God; but this I know—

That all my sins were there."

S.C.

HOMILIES BY R. GREEN

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