Bible Commentary

Exodus 20:4

The Pulpit Commentary on Exodus 20:4

The Pulpit Commentary · Joseph S. Exell and contributors · Public domain

As the first commandment asserts the unity of God, and is a protest against polytheism, so the second asserts his spirituality, and is a protest against idolatry and materialism. and are to be taken together, the prohibition being intended, not to forbid the arts of sculpture and painting, or even to condemn the religious use of them, but to disallow the worship of God under material forms.

When the later Jews condemned all representations of natural objects (Philo, De Orac. 29; Joseph. Ant. Jud. 8.7, § 5), they not only enslaved themselves to a literalism, which is alien from the spirit of both covenants, but departed from the practice of more primitive times—representations of such objects having had their place both in the tabernacle (; , ) and in the first temple (, , , etc.

). Indeed, Moses himself, when he erected the "brazen serpent" () made it clear that representations of natural objects were not disallowed by the law. To moderns in civilized countries it seems almost incredible that there should ever have been anywhere a real worship of images.

But acquaintance with ancient history or even with the present condition of man in savage or backward countries, renders it apparent that there is a subtle fascination in such material forms, and that imperfectly developed minds will rest in them not as mere emblems of divinity, but as actually possessed of Divine powers The protest raised by the second commandment is still as necessary as ever, not only in the world, but in the very Christian Church itself, where there exists even at the present day a superstitious regard for images and pictures, which is not only irrational, but which absorbs the religious feelings that should have been directed to higher objects.

Any graven image. Perhaps it would be better to translate "any image," for the term used (pesel) is applied, not only to "graven" but also to "molten images" (; ; ; etc.

), since these last were in almost every instance finished by the graving tool. Or any likeness of anything that is in heaven above—i.e; "any likeness of any winged fowl that flieth in the air." Compare .

The water under the earth. See , . The triple division here and elsewhere made, is intended to embrace the whole material universe. Much of the Egyptian religion consisted in the worship of animals and their images.

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